SELECTED PRESS
Click here to download press image folder (Caption: Roberta Cavallari)
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SEGNONLINE
Segnonline, The Resistance of Fragile Bonds April 4, 2024, by Annalisa Biggi.
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IL RESTO DEL CARLINO
Il Resto del Carlino, Those Fragile Bonds Ready to Tour Italy, March 29, 2024, by Manuela Valentini.
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CORRIERE DEL TRENTINO
Corriere del Trentino, Culture and Shows, The Exhibition in Ala, July 13, 2024, by Martina Dei Cas. The article describes the works exhibited in the artist’s studio: one on the war in Palestine and a series on Saint Lucia, which reinterprets the theme of the saint in a contemporary feminine key.
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ESPOARTE
Espoarte, Fragile Bonds, an Exhibition on the strength of human relationships to build communities, April 3, 2024, edited by the Editorial Team.
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ARTSY
Artsy, Through the looking glass, press release, October 30, 2023, curated by Aucart. The exhibition is highlighted along with the press release and the list of participating artists.
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PERIODICODAILY.COM
Periodicodaily.com, Ferrara Artist Roberta Cavallari: Surrealism of Color, April 19, 2022, by Odette Tapella.
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QUOTIDIANO AUTONOMO DEL TRENTINO ALTO ADIGE
Quotidiano Autonomo del Trentino Alto Adige, At Craffonara the Exhibition of Two Artists from Ala, Trento (Italy), Year I, No. 15, November 19, 2022, edited by The Editorial Team. The article conceptually describes Cavallari’s art, outlining the tension capable of evoking suspended emotional states.
BENGODII
Bengodii, Silenzio at the Craffonara Gallery is a noisy exhibition. A commentary on the works of Pedrinolla and Cavallari for the group show curated by Alessandro Togni, November 22, 2022, by Damiano Perini.
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GIORNALE TRENTINO
Giornale Trentino, The Exhibition at Studio 53. “The Red Thread is Art as an Expression of Content”, January 2, 2019, edited by the Editorial Team.
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STILEARTE
Stilearte, Roberta Rose Cavallari: Telluric Diary, Emotional Daily on Wrapping Paper, June 1, 2017, edited by the Editorial Team, June.
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EXIBART
Exibart, in Rome a Collaboration between MAAM and Cittadellarte on Re Birth Day, December 20, 2013, by Pierluigi Sacconi.
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PRENSA CENTRO CULTURAL BORGES
Prensa Centro Cultural Borges, Buenos Aires, Vis a Vis, Roberta Rose Cavallari and Cotelito exhibit at the Centro Cultural Borges, July 30, 2012, by Massimo Scaringella. The article is a summary of the press release on the occasion of the Roberta Cavallari exhibition at the Borges Cultural Center.
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IL SOLE 24 ORE
Il Sole 24 Ore, in Calendast, No. 37, February 7, 2012, by Marina Mojana. The article talks about the exhibition and presents the price list of the artworks displayed.
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ARTRIBUNE
Artribune, Women on the Edge of Disorder, September 9, 2011, by Helga Marsala.
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STILE.IT
Stile.it, Global? Art Makes the Difference, January 28, 2010, by Cecilia Passa.
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TERRA
Terra, That Mysterious Dialectic, Year V, No. 38, February 14, 2010, by Francesca Franco. The article covers the artist’s installation in the Bologna exhibition The Difference.
GOMORRA
Directed by Massimo Ilardi, No. 12, April; photographic images on pages 7, 8, 14, 15, 20, 21, 32, 33, 49, 50, 54, 55, 86, 87, 98, 99, 114, 115. The issue features a photographic journey by Roberta Cavallari through the city of Las Vegas, a place emblematic of capitalist consumption, where the city itself is consumed as a product by tourists. Article “Attraversamenti. Las Vegas. To Use Best Before” by Roberta Cavallari, on pages 116–119, Meltemi Editore, Rome, explores the themes of urban space and the cycle of consumption that turns the city into a commodified experience for tourism.
GOMORRA
Directed by Massimo Ilardi, No. 2, November; article “Bologna. Geografie instabili”, photographic images on pages 95-97, Meltemi Editore, Rome.